This new film marks Daniele Gaglianone´s return to Venice Days, as well as a shift in direction from his recent works, relaunching as it does one of his favourite themes, reality film. Set in Rome´s m..
查看全部
This new film marks Daniele Gaglianone´s return to Venice Days, as well as a shift in direction from his recent works, relaunching as it does one of his favourite themes, reality film. Set in Rome´s multiethnic Pigneto area, it tells the collective story of a class made up of immigrants learning Italian. The ingredients are the individual life stories of the students and their teacher as well, for a true story in a rather unconventional classroom setting. Or is it a true story? It is for the classmates, with their own voices and memories; it´s true at a different level for the actor Valerio Mastandrea who plays their teacher; and for the director and crew who weave in and out of the scene, in an interplay between real experiences and the search for truth in a fictional form, which emerges as the real narrative heart of this film, more real than reality itself
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone's crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with 'real' immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students' personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves.